![]() The PDF manual is well written, though, and after a few initial hurdles, the software is fairly easy to get up and running. There's also music-production jargon to contend with, and advanced techniques such as mix automation won't come easily to casual users. You have to configure the software to your sound card for the best results. The downside is that a program of this depth isn't quick to master. Meanwhile, a 32-bit audio signal path, the ability to record from multiple simultaneous sources and sophisticated signal routing (where you can pre-mix subgroups of audio streams) distinguish it from most home-oriented recording software. Mix automation is also included and works like keyframe editing for video, allowing you to vary mixer settings gradually over time. Features such as flexible snap-to-grid options, crossfading between audio objects and support for tempo are among the highlights. This is excellent news for anyone who wants a mature, dependable recording environment rather than lots of sonic gadgets. It includes the core features of Cubase, jettisons various advanced tools and costs a quarter the price. ![]() Steinberg's Cubase is our favourite of the latter type, but at £440, it's too expensive for most amateurs. ![]() There's no shortage of music-production software that specialises in electronic musical genres, but few put the emphasis on recording live instruments. ![]()
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